I have several drawings and paintings that I did under the influence that still amaze me today. I could never reproduce the techniques or forms. There were many times that I wouldn't spend the entire duration drawing/painting, but I had several marathon creation sessions under the influence of LSD.
We would always make sure to have plenty of supplies. Art or otherwise. Pen and paper was probably the most difficult. The effects on your vision are pronounced and drawing can be... hard. I always enjoyed oil pastels the most. Thick and flowing pools of color. Man those were good times.
I was in art school at the time, and critique (the ability to give and receive) was one of the greatest things I walked away with. We would formerly critique on a regular basis in class.
> I don't doubt they had a good time, but seeing them utterly fail to use the drug as a tool kinda makes me skeptical of the productive benefits.
This is akin to coming onto a software project, seeing a huge tangle of grotesque code produced by some other programmer(s), and determining that the tools were at fault. In both cases it is not necessarily the wand, but perhaps the magician.
I would also be interested in seeing scans. LSD has been a wonderful experience for me, undertaken roughly once a year, but with beneficial and creative effects that last much longer.
I think the OP missed the point-- LSD isn't Aderall, it isn't something that makes you push out more. Rather, it can unlock doors that were perhaps holding you back.
Or perhaps it can open doors that will end up holding you back. There are people who are legitimate acid casualties. I know a guy who now has social anxiety so bad that he rarely leaves his house. This was most certainly not the case before he indulged in copious amounts of LSD and Psilocybin.
Weed will much easily make you paranoid in my opinion.
But in fact, too much introspection can go wrong and plant ideas that don't make you go forward.
There is a saying of a guru: "If something goes bad, just drop some more acid" but I am not sure if it is a good advice, only that it doesn't work with weed.
Anyone that is not a doctor or pharmacist who says anything along the gist of "If you aren't doing X while taking drug Y, then you need more of drug Y" is an idiot. Everyone is different, dosages will be different, and interactions, chemically with other drugs and psychologically with other issues, will always be present.
I'm all for anyone doing whatever they want with drugs, psychoactives in particular, but taking more is usually the wrong answer. Psychoactive drugs are not a cure-all or magic key that opens creative inspiration in uncreative types, just as much as taking Vicodin won't give you an erection lasting for more than 4 hours.
Good psychotherapy can heal him. I suggest "Changing Personal History" or more powerful (but harder to learn) "Core Transformation" from NLP.
P.S. There is a huge amount of inefficient and even dangerous psychotherapy schools, and there is quite a lot of inefficient stuff in "NLP", that's why I recommend exactly the above techniques.
This was an 8 hour marathon of oil pastel madness. I was in my tiny apartment with 6-8 friends and literally spent the entire time engrossed in this thing. The background was the technique that I could never get back. This was a series of this basic type of drawing I did. There were 4 and this one I like the most. Gave one away to some chick I was seeing :/
Bic pens have always been a favorite as well. These are actually meeting drawings from a fairly recent (sober) time, but are representitive of the drawings I don't want to go dig out and scan. My brain didn't do this prior to LSD ;)
I got out of art school and went into a more technical field doing 3d graphics for training applications. Had kids, stopped doing drugs, eventually switched over to programming computers... I always threaten to get back into it and really do miss it. The creation of images more than the psychoactive chemicals ;0
We would always make sure to have plenty of supplies. Art or otherwise. Pen and paper was probably the most difficult. The effects on your vision are pronounced and drawing can be... hard. I always enjoyed oil pastels the most. Thick and flowing pools of color. Man those were good times.
I was in art school at the time, and critique (the ability to give and receive) was one of the greatest things I walked away with. We would formerly critique on a regular basis in class.
> I don't doubt they had a good time, but seeing them utterly fail to use the drug as a tool kinda makes me skeptical of the productive benefits.
This is akin to coming onto a software project, seeing a huge tangle of grotesque code produced by some other programmer(s), and determining that the tools were at fault. In both cases it is not necessarily the wand, but perhaps the magician.